![]() ![]() Since my goal is not broadcast right now, the color management check box doesn't apply (right?) Anyway I experimented with it checked and not checked, and the results are the exact same.Ī shitty solve has been to open the projects on the slower old trash can mac, and do the color finishing there and export. The second image is just a screen shot of the YouTube preset settings. It's not terrible, but its more washed out, and for consumer products I need it to be what I expect it to be! The problem happens with both lumetri and Red Giant Colorista. ![]() The wood table color changes, the skin changes. Then the lower right is the mp4 export using the youtube preset. Problem: in the first image - on the top right is the program monitor, everything looks great and rich. Some shots with skin also have Red Giant Cosmo applied to them too. VariCam Lut applied to Lumetri on an adjustment layer over entire spot, with each clip getting a second lumetri applied to make the shot better for the specific shot. I want to show my projects approvers the work WHILE staying in Premiere and they sit over my shoulder, making any subtle changes they ask for on the fly - and then export an MP4 that matches what they saw.ĭisplay: iMac Pro set to Display P3, second monitor Dell UP2715K set to sRGB IEC61966-2.1 (But usually just do all work on Display P3) Goals: Render out commercial spots for phones and computer monitors for Insta, FB, YouTube, etc. Hoping Adobe see's this and can feel my pain. Just to add another Professional with a frustrating experience using Premiere CC19 and an iMac Pro. So please avoid claiming that the problem is something else I'm 100% sure about the problem as i've been researching and testing everything out. I recently tweeted Adobe about it, so i'm hoping to actually get an answer on this topic.Īnd hopefully a date for when the support for color management will be out. So, is there any real solution on this problem, except getting an external display? ![]() I don't want to switch to FCPX, but i can't deal with this for much longer. I know there's a few workarounds with different LUT's etc, but they're not 100% accurate and it's not really an acceptable workflow after paying loads of money on high end computers and software. So, right now i'm on a $9,000 iMac Pro and i can't use it professionally as Premiere doesn't show what's actually happening in the grade. There's a huge gamma shift, and i later on found out this is due to the P3 Gamma on most Macs later than 2015 that PP can't handle. I found out a few weeks ago that the colors in Premiere doesn't look the same after export. ![]()
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